Though Peter Meinke counts modernists like Ezra Pound and Hilda Dolittle as his literary influences, he departs from the supposed tenet of modernism, which eschews formal structure. From the very onset of his poetic career, Meinke experimented with traditional poetry forms such as the sonnet, the villanelle, and the pantoum. While the idea that modernist poets were merely against form is highly questionable, Meinke chose to steer clear of affectation for affectation’s sake. Meinke’s poetry can also be read as a response to the schools of literary affectation and anti-formalism in the American poetry of the mid-20th century. Referring to himself as a “neighborhood poet,” Meinke finds both wisdom and darkness in domestic spaces and everyday life. His poems often encompass life’s contradictory aspects in a singular narrative—“Advice to My Son” epitomizing this approach.